History of American Football Essay Example for Free

History of American Football Essay Beginning of Football Football as well as rugby and soccer are believed to have descended from the ancient Greek game of harpaston. Harpaston is mentioned frequently in classical literature. where it is often referred to as a very rough and brutal game.The rules of this ancient sport were quite simple: Points were awarded when a player would cross a goal line by either kicking the ball, running with it across the goal line, or throwing it across the line to another player. The other team’s objective was simply to stop them by any means possible. There was no specific field length, no side line boundaries, no specified number of players per team, only a glaring lack of rules. Most modern versions of football are believed to have originated from England in the twelfth century. The game became so popular in England that the kings of that time (Henry II and Henry IV) actually banned football. They believed that football was taking away interest from the traditional sports of England, such as fencing and archery. Walter Camp Walter Camp was born April 17, 1859, in New Haven, Connecticut. He attended Yale from 1876 to 1882, where he studied medicine and business. Walter Camp was an author, athletic director, chairman of the board of the New Haven Clock Company, and director of the Peck Brothers Company. He was general athletic director and head advisory football coach at Yale University from 1888-1914, and chairman of the Yale football committee from 1888-1912. Camp played footba ll at Yale and helped evolve the rules of the game away from Rugby and Soccer rules into the rules of American Football as we know them today. One precursor to Walter Camps influence was William Ebb Ellis, a student at the Rugby School in England. In 1823, Ellis was the first person noted for picking up the ball during the soccer game and running with it, thereby breaking and changing the rules. In 1876, at the Massosoit  convention, the the first attempts at writing down the rules of American football were made. Walter Camp edited every American Football rulebook until his death in 1925. Walter Camp contributed the following changes from Rugby and Soccer to American football one side retained undisputed possession of the ball, until that side gives up the ball as a result of its own violations the line of scrimmage 11 on a team instead of 15 created the quarter-back and center positions forward pass standardized the scoring system, numerical scoring created the safety, interference penalties, and the neutral zone tackling as low as the knee was permitted 1888 a touchdown increased in value to six points and field goals went down to three points 1912 The NFL or the National Football League, was formed in 1920 soccor/football Soccer is one of the most popular sports in Europe and the Americas. It has a vivid and interesting history in the world of sports. Early evidence of soccer being played as a sport finds occurrence in China during the 2nd and 3rd centuries BC. In China, it was during the Han dynasty that people dribbled leather balls by kicking it into a small net. Recorded facts also support the fact that Romans and Greeks used to play ball for fun and frolic. Some facts point to Kyoto in Japan where kicking of ball was a popular sport.It is said that early growth of the modern soccer started in England. Some amusing facts even mention that the first ball used was the head of some Danish brigand. It is said that during medieval times, the old form of soccer used to allow many ill practices like kicking, punching, biting and gouging. The main aim was to carry the ball to a target spot. People grew so fond of the game that they would throng the field all day long. Sometimes the competition grew fierce and masses got so wild that there were frequent incidents of violence during the game. It is also said that soldiers admired the game so much that they missed archery practice to watch it King Edward III banned soccer in 1365 owing to the growing incidents of violence and military indulgence in the sport. In 1424 King James I of Scotland also proclaimed in the Parliament— Na man play at the Fute-ball No man shall play football When and where exactly did soccer start is a question that has no precise answer to it. You can easily say that this popular game has been played for more than three thousand years. The nativity of modern-day soccer must be credited to Britain. It was also known as the association football, with Scotland and England being the co-founders of the systematic game of soccer. Modern History of Soccer: 18th Century onwards In 1815, a major development took place that made soccer popular in Universities, Colleges and Schools. The popular English School and Eton College came forth with a set of rules, known as the Cambridge Rules. Football was segregated into two groups; some colleges and schools opted for Rugby rules that allowed tripping, shin kicking and also carrying the ball. These rules were exclusively prohibited as per the Cambridge rules.The history of modern-day soccer was established in 1863. In October 1863, eleven representatives from London clubs and schools met at the Freemason’s Tavern to set up common fundamental rules to control the matches amongst themselves. The outcome of this meeting was the formation of the Football Association. In December 1863, the Rugby Football and Association football finally split as the supporters of the Rugby School rules walked out. Firmly establishing the foundation of soccer in 1869, the Football Association strictly banned any kind of handling of the ball. Soccer’s popularity spread rapidly during the 1800s as British sailors, traders and soldiers introduced the sport to different parts of the globe. Italians, Austrians and Germans drew to Europe, while Argentina, Uruguay and Brazil adopted the sport in South America. FIFA was established in the year 1904 and by early 1930s, different leagues were operating from various countries. FIFA is credited with organizing the first world cup in Uruguay. The history of soccer is rich with events, development and its growing craze all over the world. You will find yourself amazed as you learn about different times of this wonderful sport that has held our awe and admiration for over 3000 years. why is soccer called football The game that the rest of the world calls football or the beautiful game goes by a different name in the United States and Canada soccer. Americans adopted the name soccer after almost 100 years of playing this game under the name football.The games history and development provides important clues about the use of the word soccer to identify the game in the countries  that do not call it football.

Reactions to Death in Faulkner’s As I Lay Dying :: Faulkner’s As I Lay Dying

Reactions to Death in Faulkner’s As I Lay Dying Eventhough As I lay Dying is a story revolved around the death of a mother, Addie Bundren, the true content of the story develops from information given to the audience through a multitude of narrators. The relationship between each family member and their association with Addie's death differentiates from person to person. Through her husband, Anse, we are introduced to his philosophy that man should keep stationary. Anse explains, "The lord put roads for travelling; why he laid them down flat on the Earth. When he aims for something to be always a-moving, he makes it long ways, like a road or a horse or a wagon, but when he aims for something to stay put, He makes it up and down ways, like a tree or a man" (24). In comparing a tree to a man, Anse feels that eventhough alive, man was not created to move about. This idea exhibits a lack of suspense within Anse, which may or may not have been Annie's desire to have an affair which lead to the birth of her child Jewel. Interestingly, A nse contradicts his own beliefs to fullfill his wife's wishes to be layed to rest next to her own family. This act can also be seen as selfish when Anse really desires a new set of teeth. Other narrators's ideas on life are presented through the death of Annie. For example, DArl represents seperation from the rest of the world. Riding with Jewel, DArl suggests that, "It takes two people to make you, and one people to die. That's how the world is going to end" (27). In this thought, Darl explains that even though a person is created by the life of two people, in the end, that life will die on its own. The fact that Darl is so open to talk about his surety of Annie's approaching death, distinguishes him from Jewel or Dewy Dell, who cannot speak about it. Darl therefore is an outcast of the family, which is later explained by his participation in the war. By writing As I Lay Dying through the thoughts of a variety of narrators, William

Pip’s emotion Essay

Remembering this, the adult Pip says â€Å"I believe they were fat, though at the time I was undersized for my years and not string† This begins to give the reader an image of Pips physical appearance. The fact that he is undersized and weak could be because due to the lack of money in his family he is underfed. This creates sympathy for Pip because the reader can see this poor defenceless little child in this awful situation and as he seems so defenceless the readers are interested to know how or if he will get himself out of this situation. This also helps Dickens to project his reasons for writing great expectations to the reader as he is unhappy with the conditions that Pip and other children in this time period are living in. The fact that Pip is criticizing himself could reflect the way he is treated by other people and is unhappy with himself (which becomes clear later in the story with his longing to become a gentleman). This Quote also shows that this is the voice of the adult Pip as looking back on this scene he is very concerned about his appearance as a boy. This could make the reader wonder if Pop is not poor any longer because as a gentleman appearance would be very important. Yet again Pip’s tone is quite light which helps to give the impression that Pip does get out of this situation safely and that maybe the convict isn’t as bad as he seems. This gives makes it seem that Pip is keeping something from the reader which makes the reader interested and wanting to find out what they don’t know. Pip continues to say â€Å"I earnestly expressed my hope that he wouldn’t and held tighter to the tombstone on which he had put me partly to keep myself upon it and partly to keep myself from crying. † By the explanation it is clear to the reader that this is a past event because it sounds like the words of an adult who is now well educated not those of a young boy who is close to tears. This also shows that the convicts has no consideration for Pips feelings and no respect for him either as he places him on top of a gravestone which could be that of his parents. This lack of care and respect for children is what Dickens is trying to put across and wants changed. This also gives the impression that in contrast to his previous defencelessness appearance pip as a character is quite brave as he is trying to stay calm and not show that he is upset while most children would be in tears. This could be trying to show the audience that you should not judge people by class or appearance which is relevant later on in the story as the convict turns out to be a nice person of lower class while Estella is cruel and snobby because she thinks she is better than Pip because of the class she believes she belongs to. However although the adult Pip seems to be thinking he was brave the first phrase sounds quite light as if pip doesn’t want the reader to think he was weak and is making the tone less serious. This still creates sympathy for Pip because so many terrible things are happening to him. The convict wants to scare Pip into doing what he wants † A boy may lock his door may be warm in bed, may tuck himself up, may draw the clothes over his head, may think himself comfortable and safe, but that young man will softly creep and creep his way to him and tear him open. â€Å"At this point Magwitch is being very manipulative and is scaring Pip into thinking that someone he cant see or hear can see and hear him. His description is so vivid that it may also make the reader feel uneasy as if they too are being watched. Dickens creates tension with the steady build up of short actions that result in him suddenly being killed. He lists every possible thing that Pip may try to do to escape and explaining how they won’t work and that Pip is unable to escape which will leave Pip feeling completely helpless. The fact that he uses Pip’s home as the setting for this grim death which is the one place Pip should feel safe will make Pip feel trapped and that he is in danger wherever he goes. The convict is looking into the mind of a child and has picked the scenario most children fear. This is very cruel which shows how desperate he is but could also show that magwitch has had contact with children as he knows what they fear. This concept is very disturbing and as was evident from previous descriptions Pip’s imagination is already going wild. The length of the detail could be because magwitch has done what he is describing or has seen someone else do it whilst in prison. Pip’s imagination and descriptions create more images of the convict † he looked into my young eyes as if he were eluding the hands of the dead people, stretching up cautiously out of their graves to get a twist upon his ankle and pull him in. † This is pips imagination exaggerating what he sees but still makes the reader picture magwitch as something out of a horror style text. It could be that the look on his face is like he is attempting to escape from the dead and recreates Pips earlier ideas of him coming for the graves. His appearance gives a feel of how much he has been through in the fact that he is covered in mud and starving to death. However the fact that he is not being pulled into the graves proves that he is strong and either not ready or refusing to die making the reader wonder if he has an important part to play later in the story, which he does. Dickens uses sentence structures to show distance â€Å"ours was the marsh country, down by the river, with as the river wound twenty miles from the sea† This creates an instant impression that his home is very far away. The word â€Å"wound† creates the image of distance and the repetition of river creates the feeling of length. Each comma between the descriptions could resemble a new twist or turn to the river. The fact that he is so far away from his home (and society) and the sea, makes him seem very isolated and alone. Not only is he trapped in the graveyard but his home seems to be in the middle of nowhere with no place to escape to this adds to the overall feeling of helplessness that the chapter creates around Pip. The commas themselves make the sentence more difficult to understand which symbolises the feeling of Pip being lost and trapped in this place completely separate from the rest of the world. Dickens uses sentence structures to show Pip’s emotions. Pip tells the reader † at such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard, and that Philip pirrip late of this parish, and also georgianna wife of the above were dead and buried and that Alexander, Bartholomew, Abraham, Tobias and roger, infant children of the aforesaid, were also dead and buried, and that the dark flat wilderness beyond the churchyard intersected with dykes and mounds and gates with scattered cattle feeding on it, was the marshes and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and the small bundle of shivers growing afraid of it all and beginning to cry was Pip. Here Dickens successfully; by use of sentence structure, captures the voice of the young Pip. † This sentence shows that Pip is getting increasingly upset with everything he is seeing. He is thinking about the deaths of his parents and brothers and beginning to realise how alone he is in the graveyard and in the world because almost his entire family is â€Å"dead and buried†. He seems to be looking around and taking in more and more at once which is shown by the fact that he keeps adding more and more descriptions to the sentence. He repeats the words â€Å"and that† after every semi-colon which effectively shows the voice of the young child as he is using limited vocabulary and making it sound like a list. This quote also how small and insignificant Pip is in his surroundings because it is such a long description until all that is left is pip. He is beginning to scare himself because he uses a metaphor describing the sea as a lair as the wind is rushing from it with such force like a wild animal waiting to attack him. This also shows a Childs imagination and fears and makes the reader want to protect Pip as he is a frightened innocent child. The sentence is extended with commas and semi-colons and everything is listed very quickly which makes Pip sound very panicky and this feeling is mirrored by the fact that the reader gets out of breath when reading it aloud. It shows a build up of all of his emotions and when the sentence ends the reader may get a sense of relief which is like the relief Pip feels when he begins to cry. Everything is described very negatively and Pip begins with the focus on the deaths of his family which shows what a depressing setting this is and makes the reader want to help Pip escape from it all. Dickens uses a long sentence to describe the convict. † A man who had been soaked in water and smothered in mud and lamed by stones, and cut by flints, and stung by nettles and torn by briars, who limped and shivered and glared and growled; and who’s teeth chattered in his head as he seized me by the chin. † Here Pip is getting panicked again which is shown by the fast pace of the list describing magwich’s appearance. This also captures the sense of a young boy through the adult pip because although this also sounds like the speech of a child with the repetition of the word â€Å"and† at the time pip was unlikely to have noticed everything about the convict. Therefore dickens writes as the adult Pip so as to give an effective description of the convict. It also emphasises how much the convict has been through and proves that he must be strong to have survived everything Pip describes and also that he must have a purpose in his life and in the story otherwise why put himself through so much. The alliteration focuses the reader’s attention on the words â€Å"glared and growled† giving an impression that the convict is some kind of wild animal which fits well with the metaphor â€Å"distant savage lair†.

Explore the Theme of Monstrosity in Frankenstein Essay

Montrosity is a key in Frankenstein, and it affects both the Creature and Victor, whilst at the same time , Shelley argues that society is monstrous through injustices of the time and the social conventions. Frankenstein could be said to be the monster himself- when he says â€Å"miserable monster† whom â€Å"I had created†, we see Shelley implicitly suggest, through the alliterative phrase, that just as â€Å"Adam was created in God’s image† so too was the Creature born in the image of Victor. Moreover, the idea that Frankenstein is himself the monster is reinforced by â€Å"or rather cell†. â€Å"Cell† refers to a prison cell, and is used symbolically to represent the idea that just like a cell is for criminals, who perform acts of monstrousity, so to is†¦show more content†¦This idea of the female role is reinforced by the fact that as the novel progresses, the women are slowly being removed- first his Mother, then Justine and then Elizabeth- â€Å"I saw Elizabeth†¦held the corpse of my dead mother†. This presents Frankenstein’s mental degregation and ultimately, the ctalyst for the mosntrous act- so Shelley prese nts the idea of a dichotomy between man and women- Darwin supported this by suggesting the hierachy of reproducion- man and woman is better than man alone. However, it could also be argued that Frankenstein’s settings augment his monstrousity- we see a sense of isolation- â€Å"solitude† is repeated, implying that by imposing self-exile, Frankenstein detaches himself from society and its rules and that he has become an â€Å"outsider† (McCrae)- much as the monstrousity that Victor calls the Creature, is also an outsider. Indeed the connection between the two is best examined by the Shelley use of the mountain-top- â€Å"Chamonuix, where I saw him†- which alludes to the idea of the Creator and Creation meeting (Hayward), both as equal, with both,Show MoreRelatedMary Shellys Frankenstein and Ridley Scotts Blade Runner935 Words   |  4 Pagesâ€Å"Frankenstein† composed by Mary Shelley and â€Å"Blade Runner† directed by Ridley Scott Propose two of the most paramount science fiction stories as they don’t just pursue the logic of technological futurism but also present us with ideas about o ur humanity. Catalysed by their powerful contexts, both texts represent their common ideas, themes and values allowing us to fully appreciate their significance which continue to resonate throughout time. Despite being composed at different times, both FrankensteinRead MoreFrankenstein, By Mary Shelley s Frankenstein And The Modern Prometheus1316 Words   |  6 Pages Monstrosity in Marry Shelley s â€Å"Frankenstein† Mary Shelley s â€Å"Frankenstein† or â€Å"The Modern Prometheus† is an examination of monstrosity in all of its forms. Written during a time in which scientific, political and economical upheaval, the novel depicts mans desire to uncover every secret in the universe, while confirming the importance of the emotions that make us human, instead of monsters. But, what is considered to be a monster? When one thinks of a monster the first thing that comes to mindRead MoreWhy Did I Choose A Passage From Frankenstein?1504 Words   |  7 PagesWhy did I choose a passage from Frankenstein? It is a work which portrays a lot of themes, symbols, motifs and it is contextualized in a period with a lot of changes in the society. In this essay I will explore the many aspects of Frankenstein that influence in the society for its later staging of horror films. Mary Shelley was a British novelist and she was best known for her novel Frankenstein or, The Modern Prometheus; this science-fiction novel was published in 1818 and it was set in 1789 inRead MoreMARY SHELLEY’S FRANKENSTEIN: A PSYCHOLOGICAL REPRESENTATION OF HER FEAR OF CHILDBIRTH1694 Words   |  7 Pages HUMN 303 Week 7 Assignment Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirthRead More Mary Shelleys Frankenstein Employs Typical Features of the Gothic Tradition943 Words   |  4 PagesMary Shelleys Frankenstein Employs Typical Features of the Gothic Tradition One of the most important aspects of any Gothic novel is setting. Mary Shellys Frankenstein is an innovative and disturbing work that weaves a tale of passion, misery, dread, and remorse. Some would argue that Frankenstein is a classic Gothic novel. By a classically Gothic novel it is meant that the story employs a traditionally scary theme. This could include such things as dark and dreary castlesRead MoreEssay on Frankenstein and Blade Runner792 Words   |  4 Pages Despite different contexts, both Shelley’s Frankenstein and Scott’s Blade Runner enthrall the audience in a journey to explore the inner psyche through the various perspectives that are drawn. BR depicts the hunger of mankind to break the barriers of humane principle and intrinsic concepts of nature. The extended irony in the film paradoxically gifts the artificial replicants with more emotions than humans, much like the monster in Frankenstein. Made in 1982 at a time of global de-stabilizationRead MoreAnalysis Of Mary Shelley s Frankenstein 1685 Words   |  7 PagesMary Shelley’s Frankenstein, written in 1818, explores the dangers of scientific endeavours attempting to domineer the sacred realm of nature through ego driven pursuits of knowledge and discovery. This exploration also extends to the destruction caused when a man’s hubris overrides his moral and spiritual discourses, damaging the nature of humanity and society. Shelley adopts an ambivalent attitude towards man kind’s search for advancement through the quest for knowledge, scientific discovery andRead MoreTheme Of Friendship In Frankenstein1320 Words   |  6 Pages â€Å"Frankenstein† is a gothic/science fiction novel that keeps the reader at the edge of their seat. It is filled with scenes of love, power, tragedy, and much more. This novel, is packed to the rims with themes and lessons, most of them dealing with creation; however, I wanted to discuss a theme that is lying beneath the surface and is buried in the text. This paper explores how Frankenstein mistakes friendship for possession. This theme will be analyzed using gender, class, a tone of disgust, possessionRead MoreMary Shelley s Frankenstein, And The Modern Prometheus3901 Words   |  16 Pages â€Å"Frankenstein, or the Modern Prometheus†, by Mary Wollstonecraft (Godwin) Shelley Mary Shelley s novel Frankenstein is best known for its influence in popular culture through many film adaptations. It is in fact, however, one of the great novels of ideas. Write an essay that discusses in what sense you think it is a novel of ideas. What are its claims about human reason and human nature? Shelley explores some aspects of human nature, specifically human lust for power and the unfortunate way weRead MoreFrankensteins Monstrosity2191 Words   |  9 PagesThai Kingstone 15 October, 2010 1616W Frankenstein’s Monstrosity â€Å"I’m just a soul whose intentions are good, Oh lord, please don’t let me be misunderstood† a verse from the notorious rapper Lil Wayne who judges one’s physical appearance rather the inner qualities that never is seen. Throughout the last century, society has been based on superficial concepts of good or evil, beautiful or ugly, ordinary or abnormal. In Mary Shelley’s Frankenstein, the Creature is depicted as a overwhelming ugly monster